"Téka Blends Guitar Skills With Her Velvety Vocals. Start with the fact that she is a fine guitarist with a velvety sounding voice, and then adds an innate musicality that touched every aspect of her performance. But what made Téka’s work even more convincing was the manner in which she joined her instrumental and vocal skills. Like João Gilberto, she brought everything into a unified expression, combining her vocal lines and rhythmic guitar accompaniments into a distinct buoyant musical blend.”
Los Angeles Times by Don Heckman
"Santa Barbara’s Brazilian ambassador! Brazilian singer-guitarist Téka is one of Santa Barbara’s luminous musical citizens.”
Santa Barbara News- Press by Josef Woodard
"Enthusiastic Symphony Impresses On Bossa Nova Night. I’ve figured it out. The Long Beach Symphony POPS! Concerts always feature great music and a festive atmosphere, but the difference between the first concert and the other night’s event at the Arena was the energy of the people onstage. It’s called talent. Start with the conductor. This one was a bubbly force of nature named Matt Catingub. In his extemporaneous and blessedly brief spoken remarks, he radiated an enthusiasm for the music (this was Brazil night) and an easy professionalism that were infectious. Guest artist Téka has the ideal voice for this stuff, a sultry smoky mezzo that wraps itself around “Desafinado” and “So Many Stars” and doesn’t let go. She did a magical job with Antonio Carlos Jobim’s classic “Waters of March.”
Gazzettes by Jim Ruggirello
What’s Shaking? Téka, world-class Brazilian Vocalist/Guitarist at Lunaria and Spazio: “Everything she does sounds so easy and comfortably centered, even though much of it is actually very difficult in terms of chops and focus. For example, the extraordinary guitar playing with which she accompanies her vocals and the easy control she exerts over her beautifully textured, lyrical voice. Her intonation is right on and her time is impeccable; she swings gently and it feels exhilarating to the listener.”
L.A. Jazz Scene by Stanley Naftaly
New Feelings in Bossa Nova: “It’s a joy to hear Téka’s flowing vocals in such a seductive combination of lyricism, melody and groove…”
Rhythm Music Monthly by Susan Donim
Brazilian Songstress, Center stage, without making a point of it, Téka showed herself to be in possession of a warm and wonderful voice, refreshingly understated but also confident in its assertions. In addition to a set list of Brazilian tunes, she also served up a slow, sumptuous version of “And I love her” that closed the gap between Beatles-esque and Rio-esque. She lays out melodies and nuances at an unhurried pace. The material is often deceptively simple, swerving to unexpected harmonic places. A good Brazilian vocalist makes eccentricities (by state standards) sound perfectly natural, and excites interest by virtue of both technical grace and subtle improvisatory derring-do. Téka does that and more.”
The Independent by Josef Woodard
Three women in Jazz at Santa Barbara Victoria Hall : “The mood was restored, when Téka took the stage for the second set. Téka, concentrating on music of her native Brazil, was simply put, awesome. Having a naturally vivacious stage presence, she had an easy way of evoking the inherent beauty of the samba, handling its irresistible rhythmic flow with style and grace and inflecting its song’s poetic lyrics with just the right nuances, whether performed in English or Portuguese. A well-rounded, polished musician, Téka demonstrates that she is equally adept as a guitarist as she is a singer.”
L.A. Jazz Scene by Russell Arthur Roberts
Téka and The Garden planet project: “A pleasantly different press kit accompanied this equally pleasant cd by Brazilian singer Téka. Along with her husband composer Páris Psaros successfully draw a musical picture of environmentally conscious-geared lyrics, with music that is just dripping of nature, tropics and earthiness in the form of smooth , mellow and beautiful Brazilian jazz.”
New England Performer Magazine by Debbie Catalano
Oratorio Chorale and Canto General Featuring Contralto Téka: “There was a mellow, chanting quality to Téka’s singing. She had an effective and subtle simplicity in her approach. In the opening “Agunas Bestias”she alternated wonderful drive with stirring mystery.”
Santa Barbara News Press by Hillary Houser
Téka and Páris provided an engaging sound with a delightful blend of percussion twists. Singing mostly in Portuguese,Téka’s enunciation was exquisite; even those unfamiliar with the language could make out every word. Her incisive rhythm guitar; bassist Páris’fluid, tactful lines; the ferousciously cooperative groove from percussion and drums; and harmonies from a pair of flutes combined to form an ideal backup for her sensual vocals. This group is taking Brazilian music to a new level; they are clearly one of Boston’s best and brightest.
Rhythm Music Monthly by Kyle Russel and Will Rapp